Showing posts with label Meg Rosoff. Show all posts
Showing posts with label Meg Rosoff. Show all posts

Monday, 11 April 2011

Book Review: The Bride's Farewell by Meg Rosoff

The Bride's FarewellGoodreads summary:

On the morning of her wedding, Pell Ridley creeps out of bed in the dark, kisses her sisters goodbye and flees — determined to escape a future that offers nothing but hard work and sorrow. She takes the only thing that truly belongs to her: Jack, a white horse, and small mute Bean who refuses to be left behind.
The road ahead is rich with longing, silence and secrets, and each encounter leads her closer to the untold story of her past. Then Pell meets a hunter, infuriating, mysterious and cold. Will he help her to find what she seeks?
With all the hallmarks of Meg Rosoff’s extraordinary writing, The Bride’s Farewell also breaks new ground for this author, in a nineteenth-century, Hardyesque setting. This is a moving story of love and lost things, with a core of deep, beautiful romance.

My thoughts and review


I was really hoping that I was going to love this because I haven't read any other of Meg Rosoff's books but I've heard good things about them and thought it must be great in order to get onto the Carnegie Medal Award shortlist 2011. It turned out that I really liked the author's writing because it was descriptive and colourful but it was the plot that let me down. This was because it had all the right ingredients to make a beautiful fairy tale like historical story: a likable and determined heroine, a idyllic countryside setting, a hint of romance and well crafted writing. I enjoyed the first chapters so I was disappointed to find not much seemed to happen after that. I just wasn't gripped by it at all and it didn't capture my imagination.

Nevertheless, the MC Pell Ridley is an independent and strong young girl who is determined to avoid the fate of her mother with endless toil and a house full of hungry little mouths. I admired her courage as she left everything she had ever known and loved on the morning of her wedding to seek a new life for herself in the city with only her magnificent white horse Jack and her mute adopted brother Bean. Pell has a admirable talent in working with horses and is hired at the Salisbury Fair to help a man pick out the best horses to buy. When he makes off without paying her and she loses both Bean and Jack, leaving her to travel cold and hungry on the open rural road. This is where the rest of the story is built on, with Pell wondering the countryside trying to restore what is hers and find shelter to survive. Soon her old feisty nature seemed to dwindle and she wears a disheartened attitude on her journey. I didn't like this sudden change in her character and gradually felt more and more disconnected and tired with her as she became rather dull.

The supposed romance with Pell and a man she meets along her journey fell completely flat for me because it seemed almost as if the romance hinted just seemed to have been put in for the sake of it because there wasn't really any and no proper development of it. I also didn't know enough about the man and what his personality was like to make a decision about whether I wanted Pell to find happiness with him.

I thought that the historical setting worked nicely but for a long way into the story it was hard to tell whether it was set in the Tudor or Victorian era (it was set in the 1850's) because there weren't many differentiating descriptions. I would have liked to have seen this further developed and made use of.

The Bride's Farewell
New paperback cover
I've heard The Bride's Farewell being compared to Thomas Hardy's Tess Of The D'Urbivilles which I read last month and I can see a few of the similarities that could be seen between Pell and Tess but Tess was a much more rounded and developed character. There are also similarities in the countryside setting and of the theme of a an impoverished Victorian girl finding her place in the world.

Verdict: The Bride's Farewell had a brilliant premise and could have been a book I loved but instead the story was slow moving, the plot wasn't memorable and my interest lagged towards the end. However the writing was finely crafted and and overall this book was just okay. I don't think it deserves to win the Carnegie Medal Award this year.

I struggled over what rating to give this book because I liked it more than another recent book I gave it a 2.5 but I felt that was more creative and added something fresh to its genre.

Rating: 2

I found my favourite quote of the book to show what I liked about Meg Rosoff's writing:

"For those poor souls who can only think of the terrible fear and danger of a runaway horse, think of this: a speed like water flowing over stone, a skimming sensation that hovers and dips while the world spins around and the wind drags your skin taut across your bones. You can close your eyes and lose yourself in the rhythm, because nothing you do or shout or wish for will happen until the running makes up its mind to stop. So you hold steady, balancing yourself in the wake, and unhook your mind from the everyday while you wait at the silent center of it all and hope that the feeling won't stop till you're good and ready for life to be ordinary once more.The problem being that she never was."



Sunday, 3 April 2011

Carnegie Medal Shortlist 2011 Announced!


On Friday, the 2011 Carnegie Medal Shortlist was announced and I thought I'd share it with you. The CILIP Carnegie Award the most prestigious British children's book award and it was established by in 1936, in memory of the great Scottish-born philanthropist, Andrew Carnegie (1835-1919).

 Last year my book club shadowed the award and won a competition to go to the awards cermony in London. Unfortunately, I wasn't a member then (don't ask why, I have no idea myself why I didn't go along before!) and it was actually the photos of the event that encouraged me to go along. This year, we had a mini competition to win an easter egg to guess what books off the longlist would make the shortlist and I forgot to hand my form in the day before but I did guess two right. Here are the books (information from the Carnegie website):

BRESLIN, THERESA PRISONER OF THE INQUISITION
BRESLIN, THERESA PRISONER OF THE INQUISITION

Zarita, only daughter of the town magistrate lives a life of ease. Saulo, son of a family reduced by circumstances to begging, swears vengeance, after witnessing his father wrongfully arrested and brutally killed. As the Spanish Inquisition arrives, bringing a climate of suspicion and acts of torture to the town, the fates of Zarita and Saulo intertwine, with tragic consequences.

An intriguing and well-achieved novel of impressive scope which brilliantly captures the atmosphere of 15th century Spain. Breslin combines great attention to detail and characterisation with some skilled plotting, and the twin stories of her main characters are well matched and insightful.

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McCAUGHREAN GERALDINE THE DEATH DEFYING PEPPER ROUXMcCAUGHREAN GERALDINE THE DEATH DEFYING PEPPER ROUX

Pepper Roux awakes on his fourteenth birthday; the day he has been told he must die. He doesn't want to disappoint, but he doesn't want to die either. So he goes on the run, setting sail on a sea of adventures, courting mayhem and disaster at every turn. Can he escape his fate – for a while at least?

A cleverly-constructed, tightly-plotted, picaresque novel that has something for everyone. Beautifully realised settings, refreshing and original characters, it is wise, thoughtful, funny and very different.

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NESS, PATRICK MONSTERS OF MEN


NESS, PATRICK MONSTERS OF MEN

The third and final volume in the "Chaos Walking Trilogy" finds three armies marching on New Prentisstown, each intent on destroying the others. Todd and Viola are caught in the middle with no chance of escape or, it seems, of stopping the fighting. But then a third voice enters the fray, one bent on revenge.

An outstanding novel, involving huge ideas about life, death and love that really challenges the reader to think about big questions. The split narrative works extremely well, the style is highly distinctive, and the main characters are beautifully drawn.

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ROSOFF, MEG THE
BRIDE'S FAREWELLROSOFF, MEG THE BRIDE'S FAREWELL

On the morning of her wedding, Pell Ridley creeps out of bed in the dark, kisses her sisters goodbye and flees on horseback, determined to escape a future that offers nothing but hard work, and sorrow. The road ahead is rich with encounters that lead her closer to the untold story of her past. And she meets a hunter, whose fate also seems strangely entwined with her own.

A beautifully crafted novel with an exceptional heroine, whose strengths and weaknesses are very well captured. There is a strong sense of historical period, and of women's place in society at that time, and wonderful descriptions of the countryside.

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SEDGWICK, MARCUS WHITE CROW
SEDGWICK, MARCUS WHITE CROW 
Two lives, two centuries apart, but obsessed by the same question: is there life after death? When city girl Rebecca arrives in the quiet village of Winterfold one relentlessly hot summer, her uneasy friendship with strange, elfin Ferelith sets in motion a shocking chain of events.

A dark and gruesome modern Gothic novel, with a compelling, and carefully crafted dual storyline that really builds the tension. The way in which the past and present interweave is brilliantly achieved, and there is a tremendous sense of place that is both creepy and oppressive.

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WALLACE, JASON OUT OF SHADOWSWALLACE, JASON OUT OF SHADOWS

It is Zimbabwe in the 1980s. The civil war is over, independence has been won, and Robert Mugabe has come to power, offering hope, land and freedom to black Africans. For Robert Jacklin, it's all new too as he gets used to a new continent, a new country, a new school. But he is quickly forced to realise that for many of his fellow pupils, the battle for their old country rages on.

An extremely powerful novel with a totally believable main character whose moral development and emotional state are compellingly portrayed. The institutionalised brutality of school life is grippingly conveyed too, and the dialogue is always convincing. It makes the reader feel complicit, leading us to question how we would behave in similar circumstances.



My thoughts on the shortlist

The only book I've read on the shortlist is Out Of Shadows by Jason Wallace, which I reviewed here in January. It was very hard hitting and powerful but it wasn't the sort of book you could enjoy. However, I love the look of the Prisoner Of The Inquisition because I really enjoyed Theresa Breslin's book Remembrance and this one is historical fiction too. The cover is gorgeous! I took The Bride's Farewell out of the library on Friday and the chapter that I read was good. I'm not really sure the other books are my kind of thing but I might try White Crow because the author Marcus Sedgewick is visiting my school in May.

Have you read any of these books?